You can download the files for individual lessons or it may be possible to download them all in a single file. is book comes with a free Web Edition that can be. Full pages updated user manual for Adobe Premiere Pro – indexed by topic – alternative to watching tutorial videos. Visit Adobe to access the Premiere.
 
 

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Table Of Contents. Quick Links. Table of Contents. Chapter Previous Page. Next Page. Page 2 The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorpo- rated.

Page 4: Table Of Contents Page 5: Table Of Contents Designing titles for television Page 6: Table Of Contents Exporting to files Page 7: Installation And Registration Registering your product also gives you access to the wealth of tips, tricks, and tutorials in Resource Center and access to Adobe Studio Exchange, an online community where users download and share thousands of free actions, plug-ins, and other content for use with Adobe products.

You can easily obtain these updates through Adobe Help Center. An active Internet connection is required. Page 9: Using Help The complete documentation for using your Adobe product is available in Help, a browser-based system you can access through Adobe Help Center.

Help topics are updated periodically, so you can always be sure to have the most recent information available. Page 10 To search Help topics Search using words or phrases to quickly find topics. If you find a topic that you may want to view again, bookmark it for quick retrieval.

Page 12 Resource Center provides a wealth of tips, tricks, tutorials, and instructional content in video, PDF, and HTML formats, authored by experts from Adobe and its publishing partners. You can search the entire collection or sort by product, topic, date, and type of content; new content is added monthly. Resource Center is available in English, Page 13 Adobe software certification programs; and more.

User forums are available in English, French, German, and Japanese from the main Support page of your local Adobe website. Page 15 Adobe Premiere Pro. Send edited videos embedded in PDF files to your clients, and read their timecode-specific comments Clip notes from markers that appear in the timeline of Adobe Premiere Pro. Start or open project 2. Capture and import assets 3. Assemble and refine sequence 4. Add titles 5. Add transitions and effects 6.

Mix audio 7. Each file you capture to your hard disk automatically becomes a clip in your project. Project panel and Capture panel Using the Project panel, you can import a variety of digital media, including video, audio, and still images.

Page 18 Using the Adobe Premiere Pro full-featured Titler, create stylish still titles, title rolls, or title crawls that you can easily superimpose over video. If you prefer, you can modify any of a wide range of provided title templates.

As with any Page Mix Audio For track-based audio adjustments, the Audio Mixer faithfully emulates a full-featured audio mixing board, complete with fade and pan sliders, sends, and effects. Adobe Premiere Pro saves your adjustments in real time, on the fly. With the proper sound card, you can record audio through the sound mixer, or mix audio for 5. Page 22 As you rearrange panels, the other panels resize automatically to fit the window.

You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors. Application window B. Grouped panels C. Panels To display menus In addition to choosing from the menus at the top of your screen, you can choose from context menus, which display commands relative to the active tool or selected item. When you select a tool, the pointer generally changes shape according to your selection.

For example, when you select the Razor tool and position the pointer over a clip in the Timeline panel, the icon changes to a razor. As you drag a panel over a drop zone, the zone becomes highlighted to provide a visual reference for the drop. Page 26 You can open a panel in a floating window. You can add panels to the floating window or otherwise modify it, as you do the application window.

You can use floating windows to create a workspace like those in earlier versions of Adobe applications, or to make use of a secondary monitor. For example, you may prefer to lower the brightness when working in a darkened editing suite or when making color corrections.

Once saved, new and edited workspaces appear in the Workspace menu on the local computer. If a project with a custom workspace is opened on a system other than the one on which it was created, the application looks for a workspace with a matching name. Page Project Basics Project basics About projects A project is a single Adobe Premiere Pro file that contains sequences and references to the assets clips, still images, and audio files associated with the sequences.

A project stores information about sequences and assets, such as settings for capture, transitions, and audio mixing. These contain the correct project settings for the most typical project types. When creating a new project, you can either select from among the standard presets or customize a group of project settings and save the customized group as a custom preset. You can also choose whether to disable video output when Adobe Premiere Pro is in the background, and whether to enable aspect ratio correction on external devices.

It assumes a rate of 30 frames per second and does not drop frame numbers. Page 33 Uses still images efficiently in sequences. Deselect this option if sequences exhibit playback problems when displaying still images. Page 34 Select the file and choose Select. Note: Do not delete source files while you are using them as clips in an Adobe Premiere Pro project unless they were captured using device control and you plan to recapture them.

After you deliver the final movie, you can delete source files. Once they are set, you cannot change them for that project. You can, however, use assets created with different aspect ratios in that project. In Adobe Premiere Pro, you can implement either technique by using Motion effect properties such as Position and Scale. Page 38 For example, if a square-pixel asset generated by a graphics or animation program looks distorted in Adobe Premiere Pro, you can correct its pixel aspect ratio to make it look right.

Page 39 For example, suppose you generate a square-pixel asset at x and import it into an Adobe Premiere Pro DV project with an aspect ratio of x In this case, the asset will be wider than the screen when it is conformed.

Page P Projects About 24P footage Because support for 24P footage is built into Adobe Premiere Pro, you need to make only minor preparations to capture, import, and export 24P projects. Adobe Premiere Pro includes project presets for 24P; after you create a 24P project, you import and capture your footage as usual. Page 41 Pro recognizes 24P modes, you can perform your capture and edits within the program. Page Improving Performance About scratch disks When you edit a project, Adobe Premiere Pro uses disk space to store files required by your project, such as captured video and audio, conformed audio, and preview files that you create manually or that are created automatically when exporting to certain formats.

Page Correcting Mistakes To correct mistakes In case you change your mind or make a mistake, Adobe Premiere Pro provides several ways to undo your work. You can undo only those actions that alter the video program; for example, you can undo an edit, but you cannot undo scrolling in a window. Page The Basics Of Bridge Bridge to organize, browse, and locate the assets you need to create content for print, the web, television, DVD, film, and mobile devices.

In Full mode, the Bridge window can move behind application windows. This floating window is useful because it is always visible and usable as you work in different applications. Page 49 You can save the current Bridge layout that is, the work area configuration as a workspace and reuse it later.

By saving Bridge in various configurations, you can work in and quickly switch between different layouts of the work area. For instance, you might use one workspace to sort new photos and another to work with Adobe InDesign files. Page 50 Look In menu. Sets the language used in the Bridge interface. Places the two cache files created for each folder you view in a centralized folder. A Use A Centralized Cache File centralized cache is generally easier to use than a distributed cache. Page 52 Show Folders to display folders as well as individual files.

You can create and manage revisions to files kept in Version Cue projects. Version Cue is also a convenient environment for collaborative file management in workgroups. Then, enter a name when the folder appears in the content area. Page 55 Optional Select Include All Subfolders to expand the search to any subfolders in the source folder. Page 56 The Tools menu contains submenus for various commands available in the different Adobe applications. XMP is built on XML, and in most cases the information is stored in the file so that it cannot be lost.

If it is not possible to store the information in the file itself, XMP metadata is stored in a separate file called a sidecar file. Page 58 Displays settings applied by the Camera Raw plug-in. Camera Raw Keeps a log of changes made to images with Photoshop. Version Cue Note: Depending on the applications you are using, custom panels for various properties may appear here as well.

Page 59 Displays read-only information about the camera and settings used to take the photo, such as make, Camera Data 1 model, shutter speed, and f-stop.

Lists read-only file information about the photo, including pixel dimensions and resolution. Page 60 You can modify the metadata in the File Info dialog box and save it as a template for use with other files.

 

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Trending Now. How to Restream Your Content June 14, Notify me of new posts via email. Menu Skip to content Home About Contact. Search for:. With efficient altering highlights, you have to build brake effectiveness. With Adobe Media Encoder you have to deliver better break faster yield. Download Adobe Premiere Pro Share this: Twitter Facebook. A four-point edit is useful when the starting and ending frames in both the source clip and sequence are critical.

If the marked source and sequence durations are different, Adobe Premiere Pro alerts you to the discrepancy and provides alternatives to resolve it. This option Apply Default Video Transition is available only when the Placement option is set to Sequentially, and has no effect when the Clip Overlap option is set to zero. The same number of frames added to the clip are trimmed from the adjacent clip. Page In and Out points later in the clip. Adobe Premiere Pro updates the source In and Out points for the clip, displaying the result in the Program Monitor and maintaining the clip and sequence duration.

Page So naturally, a change in speed results in a corresponding change in duration. Each field contains half the number of horizontal lines in the frame; the upper field or Field 1 contains all of the odd-numbered lines, and the lower field or Field 2 contains all of the even-numbered lines. If you specified No Fields, Adobe Premiere Pro keeps the upper field unless you selected Reverse Field Dominance, in which case it keeps the lower field.

This option is useful when freezing a frame in the clip. The toolbox contains selection tools that can handle various selection tasks.

To enable or disable a clip You can disable a clip while you try out a different editing idea, or to shorten processing time when working on a complex projects. When you move a clip with snap on, it automatically aligns with, or snaps to the edge of another clip, to a marker, to the start and end of the time ruler, or to the current-time indicator.

Sequences that consist of cuts between single tracks of video and audio render quickly, whereas sequences that include layered video In the Timeline panel, rendered areas are marked with a green line.

Page When you render previews, Adobe Premiere Pro creates files on your hard disk. These preview files contain the results of any effects that Adobe Premiere Pro processed during a preview. If you preview the same work area more than once without making any changes, Adobe Premiere Pro instantly plays back the preview files instead of processing the sequence again.

Adobe Premiere Pro also provides DVD markers that you can add to a sequence to specify scenes, or a menu structure for sequences that you export to DVD. Double-click the Set Unnumbered Marker button to open the Marker dialog box as you set it.

Chapters divide a movie into segments and allow viewers to go to specific points in a movie. When setting markers for use as chapter links, make sure to space them at least 15 frames apart, or by the amount required by your authoring software. Page [V] and [A] labels. Even so, Adobe Premiere Pro keeps track of the link.

If you relink the clips, they indicate whether they have been moved out of sync, and by how much. Repeat for the other clip. Page Multiple Sequences To use multiple sequences A single project can contain multiple sequences. All the sequences in a project share the same timebase, which defines how Adobe Premiere Pro calculates time, and which cannot be changed after you create the project. Changing the content of the source sequence is reflected in the content of nested instances.

To lengthen the nested instances and reveal material added to the source sequence, use standard trimming methods. Page Editing A Multi-Camera Sequence To easily synchronize footage from all cameras, make sure each camera records a sync point using a clapper slate or other technique.

Keep each camera recording to maintain synchronization. After you capture the footage in Adobe Premiere Pro, use the following workflow to edit the footage For a tutorial on multi-camera editing, go to Resource Center on the Adobe website. Camera 1 B. Camera 2 C. Recorded sequence preview D.

Camera 3 E. Camera 4 F. Record button The Multi-Camera Monitor includes the standard playback and transport controls and keyboard shortcuts. The Play Take care not to overwrite adjacent clips if you have multiple clips on the same track. Select the clips you want to synchronize. The 1, 2, 3, and 4 keys correspond to each camera. When you are done recording, click the Stop button or the Record button to get out of recording mode.

You can then use the playback controls to preview your sequence without recording over it. To edit an image file in Photoshop In an Adobe Premiere Pro project, you can open an image file in any format that Adobe Photoshop supports. Select a clip in either the Project panel or Timeline panel.

If you want to work with all clips or a single sequence from an Adobe Premiere Pro project, use the Import command to import the project into After Effects. Note: You can copy multiple layers into Adobe Premiere Pro. Each layer is placed on a separate track. The order in which Adobe Premiere Pro places the layers depends on the order in which you selected them in After Effects; Creating a dynamic link is as simple as importing any other type of asset, and dynamically linked compositions appear with unique icons and label colors to help you identify them.

When you add a linked composition that contains both footage and audio layers to a sequence, Adobe Premiere Pro inserts linked video and audio clips in the timeline. Page Transition Overview A transition moves a scene from one shot to the next. Generally, you use a simple cut to move from shot to shot, but in some cases you might want to transition between shots by phasing out one and phasing in another. Adobe Premiere Pro provides several transitions that you can apply to your sequence.

For this reason, transitions work best with handles—the extra frames beyond the In and Out points set for the clip. Whatever is below the transition in the Timeline panel appears in the transparent portion of the transition the portion of the effect that would display frames from the adjacent clip in a two-sided transition.

Page The default duration of a transition, for either audio or video, is set to 1 second. If a transition contains trimmed frames, but not enough to fill the transition duration, Adobe Premiere Pro adjusts the duration to match the frames.

Play The Transition button B. Transition preview C. Edge selector D. Clip previews E. Start and End sliders F. Options G. Clip A first clip H. Transition I. Clip B second clip J. The pointer changes from the Slide Transition icon icon to the Ripple Edit icon Drag the cut as desired. In the Effect Controls panel, adjust settings: Change the orientation or direction of the transition. In a gradient wipe, image B fills the black area of the grayscale image and then shows through each level of gray as the transition progresses until the white area becomes transparent.

Page Working With Audio Working with audio About audio In Adobe Premiere Pro, you can edit audio, add effects to it, and mix as many tracks of audio in a sequence as your computer system can handle. Tracks can contain mono, stereo, or 5. Page Adobe Premiere Pro creates a new audio track to match the channel format of a clip dragged to the Timeline panel.

Tracks area B. Controls area C. Playback controls In the Audio Mixer, you can adjust settings while listening to audio tracks and viewing video tracks. Page Viewing audio data To help you view and edit the audio settings of any clip or track, Adobe Premiere Pro provides multiple views of the same audio data.

You can view and edit volume or effect values for either tracks or clips in the Audio Mixer or in the Timeline panel. Page Making quick audio adjustments Although Adobe Premiere Pro includes a full-featured audio mixer, there are times when you may not need many of the options.

For example, you might be creating a rough cut from video and audio captured together from DV footage, output to stereo tracks. Page Track Format stereo, or 5. When you add the clip to the sequence, the clips on the separate mono tracks are linked together. Page Timeline panel. If the number of source channels is not in multiples of six, Adobe Premiere Pro creates a 5.

Page Linking multiple audio clips In Adobe Premiere Pro, you can link one video clip to multiple audio clips or link multiple audio clips together.

Linked clips remain in sync as you move them or trim them in the Timeline panel. You can apply audio effects, including Volume and Panning effects, to all channels in the linked clips. You can record to an audio track in a new sequence or record to a new audio track in an existing sequence.

See the documentation for the ASIO device and driver you are using. Audio output mapping Using the Audio Output Mapping preferences, you can specify how each device channel corresponds to an Adobe Premiere Pro audio output channel. The Stereo and 5.

Adobe Premiere Pro examines levels in the clip. In the Effect Controls panel, click the triangle next to Volume to expand the effect. Page Audio Transitions Working with audio transitions Adobe Premiere Pro lets you apply crossfades for audio transitions between clips. An audio fade is analogous to a video transition. For a crossfade, you add an audio transition between two adjacent audio clips on the same track. Page Panning And Balancing When you output a stereo track to a stereo or 5.

A round knob appears when a mono or stereo track outputs to a stereo track. Page 2 channels or mono 1 channel. However, downmixing can also occur in your project when you assign track output to a track that has fewer channels. Adobe Premiere Pro provides a 5. You can choose from various combinations of Front channels, Rear channels, and the LFE low-frequency effects, or subwoofer channel. You can output a track to any submix, but to prevent feedback loops, Adobe Premiere Pro allows a submix to be routed only to a submix to the right of it, or to the master track.

Page Audio Mixer. The Effects And Sends panel contains Effect Selection pop-up menus to apply up to five track effects. Adobe Premiere Pro processes effects in the order they are listed and feeds the result of an effect into the next effect in the list; Note: When you use a VST effect not provided by Adobe, the specific control layout and results of the plug-in are the responsibility of the plug-in manufacturer.

Off allows real-time use of Audio Mixer controls without interference from stored automation settings. For example, suppose you are automating a fade from 0 dB to —12 dB. With this option selected, Adobe Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes.

Page In the Timeline panel, select a clip containing audio. The new audio file also appears in the Project panel. Titles are a valuable addition to a movie and can serve many purposes, from naming the people and places in your movie to providing movie-style credits at the beginning and end. Page Click the down-pointing triangle in the Titler tab to open the panel menu.

When you save a title, Adobe Premiere Pro adds it to the active bin in the Project panel automatically. Titles are saved as part of the project.

However, you can export titles as independent files that use the. If the title you want to use is on your hard disk but not yet part of the current project, you can import it as you would any other source file. The imported titles become part of the current project file. The default template loads each time you open the Titler. If a text box is too small to contain the characters you type, you can resize the it to reveal the hidden text. The Font Browser remains open so that you can easily preview another.

You can continue changing fonts until you find the right one. Page For vertical text, leading is measured from the center of one line of type to the center of the next line.

In Adobe Title Designer, the baseline is the line underneath the text. You can apply more than one leading amount within the same paragraph; The value indicates the percentage of character Tracking width between the specified range of characters.

The direction of the text tracking is based on the justification of the text. The Titler includes standard pen tools that resemble those used in Adobe Illustrator and Adobe Photoshop. In the Title Properties panel, click the triangle next to Properties to expand its list, and then choose an option from the Graphic Type menu.

In general, extend the direction line about one third of the distance to the next anchor point you plan to draw. Page You can either add the image as a graphic element or place it in a text box to become part of the text. The Titler accepts both bitmap images and vector-based artwork such as art created with Adobe Illustrator. For example, for a vertical distribution option, the selected objects are distributed between the highest and lowest selected objects.

These properties include strokes, fills, sheens, textures, and shadows. You can save a combination of properties as a style. Styles appear as buttons in the Titler Styles panel, allowing you to apply favorite property combinations to objects easily. To add a texture, specify a vector or bitmap file for example, an Adobe Photoshop file , or use one of several textures included with Adobe Premiere Pro.

Select the object. You can add both inner strokes and outer strokes. Inner strokes are outlines along the inner edge of your objects, and outer strokes are outlines along the outer edge. You can add up to 12 strokes to each object. Because Adobe Premiere Pro stores each style or set of styles as a separate file, you can share styles with other users.

If you share styles, make sure that the fonts, textures, and background files used are available on all systems. Titler Styles panel To create a style Select an object that has the properties you want to save as a style. All styles visible in the Styles section are saved. Specify a name and location for the style library file and click Save.

Adobe Premiere Pro saves style library files with the extension. Start Off Screen Specifies that the roll continues until the objects are out of view. End Off Screen Specifies the number of frames that play before the roll begins. Page Animating Effects Chapter Animation Animating effects About keyframes Keyframes are used to create and control animation, effects, audio properties, and many other kinds of change that occur over time.

A keyframe marks the point in time where you specify a value, such as spatial position, opacity, or audio volume. In the Timeline panel, you can see keyframes by expanding the track and choosing the appropriate track viewing options.

Value graph B. For video and audio effects, the Timeline panel can display the keyframes specific to each clip. Page A. Track effect properties B. Keyframe graph C. Audio track keyframes D. Video clip keyframes E. You can also drag the boundaries above and below the track name to increase the track height.

Make sure you have a sequence with clips in the Timeline panel. By default, the Fixed effects Motion, Opacity, and Volume are applied to clips in the video and audio tracks. Keyframe navigator in Effect Controls panel B. Current-time indicator C. Keyframe navigator in Timeline panel To select keyframes If you want to modify or copy a keyframe, first select it.

Unselected keyframes appear hollow; selected keyframes appear solid. You increase or decrease values by dragging keyframes vertically. When working with keyframes graphically in the Timeline panel, be aware of how the With this option selected, Adobe Premiere Pro only creates keyframes at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes.

Page The keyframes remain selected after pasting, so you can fine-tune their location in the Timeline panel. You can paste keyframes only to a clip or track that displays the same property as the copied keyframes. Also, Adobe Premiere Pro can paste keyframes at the current-time indicator on only one clip or track at a time. Because the In digital video and film, this usually means generating new values between two keyframes.

Creates a smooth rate of change through a keyframe. However, unlike the Auto Bezier interpo- Continuous Bezier lation method, Continuous Bezier lets you adjust direction handles manually.

If you drag the handles, the keyframe changes to Continuous Bezier. Note: Do not confuse the anchor point of a clip with anchor points created with the Pen tool in the Adobe Title Designer. When you click the Transform icon next to the Motion effect in the Effect Controls panel, handles appear on the clip in the Program Monitor that let you directly manipulate the clip and adjust the Motion effect properties.

Page Working With Effects Working with effects Adobe Premiere Pro includes a variety of audio and video effects that you can apply to clips in your video program. An effect can add a special visual or audio characteristic or provide an unusual feature attribute. For example, an effect can alter the exposure or color of footage, manipulate sound, distort images, or add artistic effects. Page Bezier curves in the Effect Controls panel. You can expand the repertoire of effects by adding compatible Adobe plug-in files or plug-in packages available through other third-party developers.

If you purchased additional effects, purchased Adobe Premiere Pro as part of a hardware package, or removed files from the Plug-ins folder, you may have a different set of effects than those described in Adobe Premiere Pro Help.

Effects bins B. Custom bin C. Audio effect D. Audio transition E. Video effect F. Video transition G. Effects panel menu H. Search text box I. Transitions bins J. New Custom bin K. Delete Custom Item If the clip is selected in the Timeline panel and the Effect Controls panel is open, you can drag the effect directly to the Effect Controls panel.

Fixed effects are included with every clip: the Motion and Opacity effects are listed in the Video Effects section and the Volume effect is listed in the Audio Effects section. Reset Effect button B. Page Eyedropper tool selects a one pixel area. Ctrl-clicking an Eyedropper tool samples a 5 x 5 pixel area.

Page Note: If you have placed the same item in several different custom bins, and you delete that item from one bin, Adobe Premiere Pro deletes each occurrence of the item from the custom and preset bins, and deletes each item from all clips that it affects.

Adobe Premiere Pro nests each new presets bin in the root Presets bin. Page Video Limiter with the other Color Correction effects. For a tutorial on correcting color, go to Resource Center on the Adobe website. To set up a Color Correction workspace The following is a suggested procedure for setting up your color correction workspace. If possible, choose Highest Quality. If your computer performance suffers, then choose Automatic Quality instead. Move the Reference Monitor where you can see it and the Program Monitor easily.

You can choose Tonal Range from the Output menu to view the tonal ranges you defined. Once defined, choose from the Tonal Range menu to restrict the color corrections to a specific tonal range. Page Like using the White Balance control, these adjustments affect all the colors in the clip.

Note: You can also click the color swatch next to the eyedroppers and use the Adobe Color Picker to select a sample color. Color balance is just what its name implies, balancing the red, green, and blue components to produce the desired color of white and neutral grays in the image.

The same adjustments can be made by entering numeric values or using the slider controls in the Fast Color Corrector and Three-Way Color Corrector effects. Note: The Three-Way Color Corrector effect lets you make separate adjustments to the three tonal ranges using individual wheels for the shadows, midtones, and highlights.

Use the Eyedropper tool or the other Secondary Color Correction controls to specify the colors to correct. Page Black Level eyedropper Program Monitor that you want to be the darkest value in the image.