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In the latter, its parameters can be automated over time using keyframes and external control surfaces. Specifies the scale type that best suits the material: Major , Minor , or Chromatic. Major or Minor correct notes to the specific key of the music. Chromatic corrects to the nearest note regardless of key.
Sets the intended key for corrected material. Controls how quickly Adobe Audition corrects the pitch toward the scale tone. Faster settings are usually best for notes of short duration, such as a fast, staccato passage. An extremely fast attack can achieve a robotic quality, however. Because source material can change throughout a musical performance, you can get the best results by separately correcting short musical phrases.
Sensitivity is measured in cents, and there are cents per semitone. For example, a Sensitivity value of 50 cents means a note must be within 50 cents half a semitone of the target scale tone before it is corrected automatically. Reference Channel. Choose a source channel in which pitch changes are most clear.
The effect analyzes only the channel you choose, but applies the pitch correction equally to all channels. Sets the Fast Fourier Transform size of each pieces of data that the effect processes. In general, use smaller values for correcting higher frequencies. For voices, a setting of or sounds most natural. For short, staccato notes or percussive audio try a setting of Specifies the tuning standard for the source audio. In Western music, the standard is A4 at Hz. Source audio, however, may have been recorded using a different standard, so you can specify A4 values from to Hz.
Correction meter. The Spectral Pitch Display shows the fundamental pitch as a bright blue line, and overtones in yellow to red hues. Corrected pitch appears as a bright green line. You can visually monitor pitch at any time, without using the Manual Pitch Correction effect. Simply click the Spectral Pitch Display icon in the options bar. To customize resolution, decibel range, and gridlines, adjust Pitch Display settings in the Spectral Displays preferences. In the Manual Pitch Correction window, set the following options:.
Spline Curves. Create smoother transitions when using envelope keyframes to apply different pitch correction over time. Pitch Curve Resolution. Sets the Fast Fourier Transform size of each piece of data that the effect processes. For voices, a setting of or sounds most natural, and a setting of creates robotic effects. To zoom in on specific pitch ranges, right-click and drag in the vertical ruler to the right of the Spectral Pitch Display.
To reset the zoom level or customize the displayed scale, right-click the ruler and select options from the pop-up menu. Use the Pitch Bender effect to change the tempo over time to vary the pitch. The effect now uses a keyframe edit envelope laid across the entire waveform, similar to the Fade and Gain Envelope effects.
In the Editor panel, click the blue envelope line to add keyframes, and drag them up or down to change amplitude. To quickly select, reposition, or delete multiple keyframes, see Adjust automation with keyframes. Select the Spline Curves option to create smoother, curved transitions between keyframes, rather than linear transitions. See About spline curves for graphs. Controls the quality level.
Higher quality levels produce the best sound, but they take longer to process. Lower quality levels produce more unwanted harmonic distortion, but they take less time to process. Aliasing still occurs, however, when you shift the pitch up, but the higher quality levels greatly reduce the distortion when you shift the pitch down.
Sets the scale of the vertical ruler y-axis as semitones there are 12 semitones to an octave or as beats per minute. For a range in semitones, the pitch changes logarithmically, and you can specify the number of semitones to shift up or down. For a range in beats per minute, the pitch changes linearly, and you must specify both a range and a base tempo. The Pitch Shifter effect changes the musical pitch. It’s a real-time effect which can be combined with other effects in the mastering rack or the effects rack.
In the Multitrack View, you can also vary pitch over time by using automation lanes. Pitch Transpose. Determines sound quality, with theHigh setting taking longest to process.
Use the Low setting for 8-bit or low-quality audio, and use the High setting for professionally recorded audio. To quickly determine which Precision setting to use, process a small selected range at each setting until you find the best balance of quality and processing time. Pitch Settings. For example, you can use the effect to transpose a song to a higher key without changing the tempo, or you can use it to slow down a spoken passage without changing the pitch.
This effect requires offline processing. While it is open, you cannot edit the waveform, adjust selections, or move the current-time indicator.
Choose IZotope Radius to simultaneously stretch audio and shift pitch, or Audition to change stretch or pitch settings over time. The iZotope Radius algorithm requires longer processing but introduces fewer artifacts. New Duration. Indicates how long the audio will be after time-stretching. You can either adjust the New Duration value directly, or indirectly by changing the Stretch percentage. If you commonly stretch files to a certain duration, click the Favorite icon to save that setting for future use.
To apply a favorite to multiple files, see Batch process files. Lock Stretch Settings to New Duration. Shortens or extends processed audio relative to existing audio.
Final Stretch or Pitch Shift Audition algorithm. Changes the initial Stretch or Pitch Shift setting over time, reaching the final setting at the last selected audio sample. Stretches audio to reflect pitch changes, or vice versa.
Final Stretch or Pitch Shift settings are unaffected. Advanced settings IZotope Radius algorithm. Solo Instrument Or Voice. Preserve Speech Characteristics. Formant Shift. Determines how formants adjust to pitch shifts. The default value of zero adjusts formants together with pitch shifts, maintaining timbre and realism.
Values above zero produce higher timbres making a male voice sound female, for example. Values below zero do the reverse. Pitch Coherence. Maintains timbre of solo instruments or vocals. Higher values reduce phasing artifacts but introduce more pitch modulation. Advanced settings Audition algorithm. Splicing Frequency. Determines how big each chunk of audio data is when you preserve pitch or tempo while stretching a waveform.
The higher the value, the more precise the placement of stretched audio over time. With higher Precision settings, lower splicing frequencies may add stutter or echo. Determines how much each chunk of audio data overlaps with the previous and next ones. If stretching produces a chorus effect, lower the Overlapping percentage, without going so low that you produce a choppy sound. Choose Appropriate Defaults. Applies good default values for Splicing Frequency and Overlapping.
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